Carlos García Vásquez

Javier García Vásquez

Segundo García Vásquez

A family of artisans opens the doors of their workshop to share their daily lives, their beliefs, and their struggle to preserve Mochica culture in the face of present-day challenges.

A sister relives her brother’s disappearance on the Colombia–Venezuela border. Her voice exposes an absence that doesn’t fade—one that cuts deep and shadows every day for her and her mother, a memory that refuses to die.

An analysis of the controversy over the participation of women in the Irun and Hondarribia festivity known as Alarde. It is divided into three parts: in the first part, the history, structure, and characteristics of the Alarde are explained; in the second part, the beginning of the conflict and its development in the 1990s; and in the third part, the present situation, reflecting on the present and future of the festival.

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.

Document about folk ceramic products from Moravian Slovácko and Wallachia.

This is not just a “folkumentary”, but an invitation to reflect on the future of humanity on a planet where tradition and technology coexist, and where the unknown reminds us that there are still unanswered questions.