Jacques Dumesnil

Agnès Varda

A documentary about the Bibliothèque Nationale in Paris. It presents the building, with its processes of cataloguing and preserving all sorts of printed material, as both a monument of cultural memory and as a monstrous, alien being.

Commemorating the 1986 Tunis-Paris exhibition Privileged Spaces and Times: French-Speaking Intellectual Production in Tunisia, Sarah Maldoror’s film points the way toward a more polyvocal understanding of the role of France’s National Library worldwide.

In a world that spins faster and faster, bibliomaniacs take refuge from the rush and the noise inside the library. Amid whispers, they confess the meaning of life. A celebration of thought and obsession, where libraries reveal their inhabitants

Lexington, Kentucky, 2004. Four young men attempt to execute one of the most audacious art heists in the history of the United States.

A short made for TV with director Peter Greenaway discussing the dazzling 3.5 minute opening sequence from his film, 'Prospero's Books'. As Prospero (John Gielgud) walks through his library, Greenaway comments on the historical, mythological, biblical &amp; fictional characters occupying the library.

This documentary follows the life of a one-of-a-kind man, and his one-of-a-kind library. Luis Soriano is a Colombian schoolteacher who spends weekends taking his donkey, and book collection, to the poverty-ridden towns of Magdalena Province. Facing down drug dealers, dangerous creatures, and overbearing heat, Soriano bravely faces down fear to promote education and literature.

The Feminist Library: A Short Film was made in support of the Save the Feminist Library Campaign, documenting a crucial moment in the library's herstory as it fights for its very survival. Shortlisted for the Women's History Network Community Prize, the film revisits the story of the library's inception and emphasises why feminism remains essential today.

Besides presenting an actual exhibition, this film about a Monument of National Literatuře also presents an interpretation of the history of Czech literature that was subject to the mores of that time. It looks at the exhibition chronologically, it comments on documents from the beginnings of the national literature up to the 1950s, emphasises the importance of the relationship of the present time with the national cultural tradition. It labels the museum itself as a “people’s university” and draws attention to its educational role.