Ana Lucía Cuevas

A Guatemalan woman, Ana Lucía Cuevas, returns home from exile to face the brutal history of Guatemala's armed conflict. In 1984, her brother Carlos was kidnapped by the state as one of thousands who were abducted and disappeared. Recounting the stories of brutal genocide, terror, state repression and violence, this film documents the memories of those victimised by the Guatemalan state.

Jan Smuts is a foremost political figure in South African 20th Century History, and is recognised today by two of the world's leading historians as being at the very centre of the vision for a new world order that emerges from the League of Nations and the United Nations..  Yet, he is virtually persona non grata in his own country.... and largely ignored in school history books. This one hour drama-documentary, with its dramatised cameo scenes in which his look-alike grandson takes on the role of Jan Smuts, battle re-enactments, historical archival footage, comments from historians, political analysts, and South African political struggle heroes, looks back on his life and the circumstances that shaped it in search of some answers.

No profession, no say, no freedom of expression. Life as a prince consort is not exactly pleasure taxing. No constitution ascribes any function to the husband of a queen. Nowhere does it say what he must or must not do. A life in the shadow of the crown. Can that go well?

About 4 000 years ago, Assyrian merchants established a commercial settlement in the ancient city of Kaneš, within Central Anatolia. They came from Aššur, north of Mesopotamia. We have come to understand their history through their writings on clay tablets that have stood the test of time: more than 22 500 cuneiform tablets have been unearthed from the archaeological site of Kültepe. How did these Mesopotamian clay tablets arrived in Anatolia and what do they tell us? The voice of Tarām-Kūbi, an Assyrian woman who corresponded with her brother and her husband in Kaneš, takes us back in time.

Punta del Este was built upon a small, treasurable port town still alive in the memories of former residents and visitors. However, talk of progress has arised in present times. A kind of progress involving physical, historical, spiritual destruction.  Bajo la Arena poses a crossroads between the passage of time and its ever-present traces in the landscape and in people's affections.

Born June 8, 1964, Frank Matter films four "twins", born the same day as him, but in other latitudes. Interweaving their  life stories with rich archival material, the filmmaker links these Parallel Lives with elements from his own biography, to compose a fascinating fresco where intimate trajectories are part of the advent of the global village.

My mother always refused to speak about her childhood during the Cambodian genocide. Upset by her silence, my brother and I decide to follow Antoine, a grandson of Armenian genocide survivors, photographing the ghosts of his ancestors in the Middle East.

Filmed in IMAX, a young Mayan boy who lives close to the ruins becomes acquainted with an archaeologist (Guerra) and asks her to tell him about his ancestors. The crew travelled to over 15 locations in Mexico and Guatemala, including Tulum and Chichén Itzá.