Eduardo Moreira

Javier Milei

The production investigates the so-called "economic miracle" of Javier Milei's government, contrasting the official discourse with the reality faced by the Argentine population. Filmed in Buenos Aires in August, the documentary features testimonies from citizens, economists, and social leaders, offering a direct portrait of the human impacts of the Argentine president's ultraliberal plan.

Looking back at the history of the struggle for true equality, we follow the daughters and sons of immigrant workers who have been nominated as candidates representing "diversity" in various election campaigns since the 2007 presidential election. On the ground, through meetings, debates, and more "intimate" encounters with candidates and actors from past struggles, a great diversity of thought emerges. But they all have the same goal: not to be just "candidates for Beurs." With many activists from working-class neighborhoods, from Clichy-sous-Bois to Marseille, via Roubaix, and candidates Mouloud Aounit, Kamel Hamza, Faouzi Lamdaoui, Halima Boumedienne, Omar Slaouti, Samia Ghali, Karim Zeribi, Rama Yade, and others... Will these "new faces" of the Republic be in the picture when the votes are counted, or will they simply be "candidates for the Beurs"?

It is a fictionalized documentary, filmed in different locations (San Julián; Estancia La Colmena; Morón, Province of Buenos Aires; Capital Federal and Islas Malvinas).  The original idea of the project is to reflect the historical and paradoxical connection that unites continental Patagonia with the Islas Malvinas. It is a story that recreates several moments, both the arrival of Islas Malvinas settlers and the departure of Argentine pilots on combat missions during the 1982 war. The documentary is filmed in a cinematic style, but also incorporates the most rigorous documentary logic: interviews, narration, and careful historical research into the events.

A short documentary about the October 14 1979 March For Lesbian And Gay Rights in Washington D.C.

A chronicle on the days without Jorge Julio López, key witness and complainant on the first trial on genocide in Argentina, dated in 2006. López, who had survived through concentration camps on the late seventies argentinian dictatorship, disappeared for the second time the day the court decision meant to condemn his kidnappers was about to be read.

Paul Robeson: Here I Stand presents the life and achievements of an extraordinary man. Athlete, singer, and scholar, Robeson was also a charismatic champion of the rights of the poor working man, the disfranchised and people of color. He led a life in the vanguard of many movements, achieved international acclaim for his music and suffered tremendous personal sacrifice. His story is one of the great dramas of the 20th century, spanning an international canvas of social upheaval and ideological controversy.

Unknown short stories from the past, the present and the future of fascism and its relation to the economic interests of each era. We will travel from Mussolini’s Italy to Greece under the Nazi occupation, the civil war and the dictatorship; and from Hitler’s Germany to the modern European and Greek fascism.

In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min