Li Yu-jie

Yang Ya-mu

Yang Chun-he

Ruan Bo-hao

A mortuary in Taiwan stores the bodies of deceased children whose parents, for whatever reason, have disappeared. Their remains are kept at the top of a freezer, sometimes for years, until the funeral home organizes a ceremony. Houses and horses made of paper are burned to accompany the children on their solitary journey to the afterlife.

John the Baptist finds himself in a Holešovice silo, a wanderer roams across Prague´s brownfields and several women face their fathers.

When the strongest earthquake in a century hit Mexico in 2017, everyone had eyes on the rescue of 12-year old Frida - until the story took a very strange twist.

Industrialist François Delambre is called late at night by his sister-in-law, Helene, who tells him that she has just killed her husband. Reluctant at first, she eventually explains to the police that he invented a matter transportation apparatus and, while experimenting on himself, a fly entered the chamber.

The cockroaches of Saito's apartment live in peace with their human host, who gives them lots of space to breed and plenty of leftovers to munch on. In the midst of these high living times, Naomi and Ichiro plan to get married and start a family. But when a hard-bitten stranger roach named Hans appears with news of war with the humans across the lawn, it foretells disruption-not only of Naomi and Ichiro's relationship, but of the hive's entire way of life.

In a quiet house in the suburbs, a lonely woman’s grisly past comes back to haunt her when an old friend knocks at the door.

The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.

After living in Denmark for 38 years, Francisco has decided to move back to his homeland, the Philippines—a country he feels he has never really left. So, on a cold winter evening, he meets with his daughter, who was born and raised in Denmark, to tell her that he plans to leave just a few days later.

In a hybrid film, both documentary and fiction, five young women describe the feeling of grief when losing a parent at a young age. Anna returns to her father's home, a year after his death. In one weekend, she lives through a storm of emotions as these may come and go in the process of grief.