Deepti Gupta

Paul Raci

Based on the 1984 Sikh Genocide, MIRRORS is an exploration of a mother's life lived in the wake of trauma and loss, and the unlikely connection she forms as a hospice nurse.

A British engineer in India takes a simple native girl as his bride, an act which defies social strictures and leads to tragedy.

Apu and his family have moved away from the country to live in the bustling holy city of Benares. As he progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother.

A rural village never wanted to be a city’s landfill or a distant blur in Reels but rather home to new imaginations.  Bringing Down a Mountain dissects the intersecting themes of access, abolition and caste through the experiences of residents of a rural village and that of a hyper-urban city. The film follows the village residents’ dreams—of mobile data, digital payment and relief from menial work. What happens when the landfill is full, and dreams want to break free?

On the verge of separation, a song comes on that transports an interracial couple to a time when they were at the height of their love. Can this love last, or are they just tourists in each other's lives, bound by time and place?

In a barren, arranged marriage to an amateur swami who seeks enlightenment through celibacy, Radha's life takes an irresistible turn when her beautiful young sister-in-law seeks to free herself from the confines of her own loveless marriage.

A fun roller coaster ride about three young people, Aju, Divya and Kuttan who are cousins, reach Bangalore to dream, discover & explore!

The film begins in 1857, when India was ruled by the British East India Company. Mangal Pandey is a sepoy, a soldier of Indian origin, in the army of the East India Company. Pandey is fighting in the Anglo-Afghan Wars and saves the life of his British commanding officer, William Gordon. Gordon is indebted to Pandey and a strong friendship develops between them, transcending both rank and race.

Utilizing the 1920s jazz vocals of Annette Hanshaw, the epic Indian tale of exiled prince Ramayana and his bride Sita is mirrored by a spurned woman's contemporary personal life, and light-hearted but knowledgeable discussion of historical background by a trio of Indian shadow puppets.