County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.

An old timbal performer in a puppet theater has a secret past.

A chance meeting of an art activist and a pompous Sunday painter at a public statue of Winston Churchill turns into a public event of insults in this political satire.

With her dream of pursuing a professional dance career shattered, Nizzy, an upscale British Pakistani, must now fight the odds to keep it alive in a society she never wanted to be a part of.

As an ode to her grandfather, choreographer Daria Titova returns to the rural land he cherished in Sokur, Russia. Through movement and evocative visual language, she explores memory, family heritage, and a sense of belonging — inviting the audience to reconnect with their own roots.

I Believe is a dance show that transports us to a magical and reflective universe, where fairies, mystical beings, guard nature and dedicate themselves to protecting the balance of life on Earth. These beings symbolize the purity and strength of the environment in perfect communion with the forests, rivers and mountains, maintaining the beauty and health of the planet. However, this harmony is threatened by the growing greed of human beings, who, blinded by power and the desire for wealth, exploit natural resources.

A love story on the first glance, and a self-love story on the second. It's for everyone who has ever felt trapped in their own body. Without words, but with images, dance, and music, we explore the theme of gender identity and internalised transphobia.