Johnny Burke

Daphne Pollard

Andy Clyde

Irving Bacon

Thelma Salter

Late silent installment in the "Handy Andy" series starring comedian Andy Clyde.

A cleaner salesman finds himself campaigning for both sides in an election.

A farce concerning the attempts of a naval officer to avoid a visit from his wife's overbearing mother-in-law, and cope with a former girlfriend at the same time.

Instead of accepting a well-to-do suitor, an orphan marries a tramp as a bet, but he turns out to be an English peer on the run for a murder he did not commit.

Famous playwright Paul Worden decamps to a country bungalow to work on a new play, rehearsing with his leading lady, Marjorie Sinclair, who is staying nearby. Going riding one day to relax, Paul rescues his neighbor, teenager Diana Ardway when her horse runs wild. The pair clash initially, as she does with Marjorie, but after a series of misunderstandings true love triumphs.

Comedy of manners about the corrupt high society of 18th-century England, centering on Lady Sneerwell and her plot to ruin the reputation of Charles Surface and prevent his marriage to the wealthy Maria. She conspires with Joseph Surface, Charles's hypocritical brother, who also desires Maria for her fortune.

Love Lies is a 1932 British musical comedy film directed by Lupino Lane and starring Stanley Lupino, Dorothy Boyd and Jack Hobbs. It was made by British International Pictures at Elstree Studios. It was based on Stanley Lupino's own hit 1929 stage musical.

King Pausole is known for his relaxed rule and having a different wife for every day of the year. Princess Aline, the king's favorite, leaves the kingdom with Giglio, a modern, adventurous pilot, disrupting the kingdom's orderly hedonism. The king abandons his daily duties to hunt for his daughter, bringing him into contact with a world outside his own pampered experience.

Naïve young Englishman, Silas P. Binns inherits a substantial business in Chicago. Unaware of the city's reputation for rampant organized crime during the Prohibition era, Silas arrives in America with idealistic expectations. Upon his arrival, he finds himself inadvertently caught in the middle of a fierce and dangerous turf war between rival gangster factions. The humor of the film stems from Silas's "innocent" and oblivious nature as he navigates the violent underworld of Chicago, often mistaking life-threatening situations for ordinary business or social interactions.