Sheila Coultas

Jenn Doen

Margot I. Duley

Raise Her Up follows the historian, advocate, and artist creating a statue of Armine Gosling, marking 100 years of womens suffrage in Newfoundland.

1972. A landmark trial shakes France as young Marie-Claire is prosecuted for having an illegal abortion with the help of her mother and two other defendants. In a courtroom governed by men, the verdict seems inevitable: prison for the women, while the rapist goes unpunished. Their last hope lies with Gisèle Halimi, a fearless lawyer known for openly challenging patriarchy and confronting the system that condemns victims and lets perpetrators walk free. Alongside the accused, Gisèle will not only change their fate, but, against all odds, transform the condition of women forever

In a tide oblivious to diversity, pearl oysters live under attack for not fitting into the standards and sizes. This is the story of how their pearls are born.

Marlene's journey is one of rediscovery. Once she saw darkness as the truest reflection of her soul—a place of comfort and identity. But life's trials reshaped her understanding, transforming that darkness into a wellspring of resilience, insight, and unexpected strength.

The Executive Empress explores the entrepreneurial lives of several Florida women, who have turned their unique passions into successful businesses.

A portrait of three female skaters in Switzerland.

A young Dutch girl (my mother, filmed by my father in-love). A little redhead (me, filmed by my father). Boys (my brothers). And through the images of flowers, animals and rallies (super 8s that were found): A chalet (Switzerland), dikes (the Netherlands). And my memories, childhood, teenage years mixed up with the history of women (of my family).

Discovering your womanhood at 33 when you're a feminist is like exploring a new continent as an adventurer. It sparks a desire to embark on a journey, to understand the world around us, to search for ourselves, over and over again. To engage in the new sexual revolution and trace the roots of sexism and gender, questioning whether sexual education in France can prevent future generations from the patriarchy. But are we ready to deconstruct everything?

A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous community screenings, active debate was encouraged as part of the viewing experience.