Jodie Foster

Albert Brooks

Ellen Burstyn

Frank Rich

Martin Scorsese

In 1975, as America faced social and political upheaval, filmmakers turned chaos into art.

Inspired by an experiment from 1972, a team of paranormal researchers led by an unscrupulous documentary filmmaker try to summon the ghost of a fictional character.

It was the battle that decided the future of Europe: on August 26, 1278, two dynasties faced each other at Marchfeld. On one side was the Roman-German King Rudolf I from the House of Habsburg, on the other Ottokar II from the Bohemian Přemyslid dynasty. Rudolf's victory over Ottokar laid the foundations for the unprecedented rise of the Habsburg Empire, which was to play a decisive role in Europe for more than six centuries.

Lissette's favorite aunt Adriana, who lives in Australia, is arrested in 2007 while visiting her family in Chile and accused of having worked for dictator Pinochet's notorious secret police, the DINA, and of having participated in the commission of state crimes. When Adriana denies these accusations, Lissette begins to investigate her story in order to film a documentary about her.

As the Internet finally arrives in tiny Bhutan, documentarian Thomas Balmès is there to witness its transformative impact on a young Buddhist monk whose initial trepidation gives way to profound engagement with the technology.

This documentary, made entirely of archival footage shot mainly by amateurs, revisits 50 years of Chilean history. A fascinating lesson in memory, this personal montage adopts a popular, even fringe, perspective to help write a more complete national memory. As the filmmaker asserts in her narration, there’s the history we’re told, the history we live, and the history we tell ourselves. Between the coup d’état of September 11, 1973, and the recent double failure of the new constitution project, this film shows that the people of Chile have long oscillated between excitement and disappointment, accumulating shattered hopes. Rejecting the pessimism that would trap us in collective immobility, Karin Cuyul instead draws on the past to ask how we can continue to dream of the necessary social and political changes.

Coffee is the second most important commodity in the world after oil. The drink has a long history and what's more, its effect seems to be stimulating in two senses.

“Persistencies of Sadness & Still Days”, is a four hour feature film by Maximilian Le Cain and Rouzbeh Rashidi. Structured in two sections or ‘takes’ of two hours each, this dream-like, experimental project offers two complementary explorations of cinematic form that skirt around possible narratives, ducking through a series of fluctuating audio-visual categories and intensities.