Le serment d’Hippocrate follows the struggle of four immigrant doctors trying to find their place in the Quebec healthcare system. This film puts faces to the lives, journeys, and struggles of these unsung heroes who, nevertheless, had also taken the august Hippocratic Oath in their distant countries.

Wheels of Fate is a short documentary film about identity, belonging and acceptance. It reflects on Ryan Espadilla's experience immigrating to New Zealand. This film features the euphoria and sanctuary of inline skating as Ryan reveals inner struggles, trials and aspirations as he journeys towards a sense of belonging. It captures observation that speaks to the intricacies of the immigrant experience and the passion of inline skating.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

An exposé documentary about the use of counterfeit Avastin in Kurdistan which resulted in many patients becoming blind.

Revisiting her film set photos, director Léa Pool reflects on her prolific career. The filmmaker left Switzerland at the age of 25 to settle in Quebec and embark on a surprising career. She reinvents herself from film to film, exploring themes that deeply resonate with her: identity, exile, maternal absence, transitional spaces... In both documentary and fiction, she has directed 20 feature films that feature strong female characters and contemporary issues. Somewhere between a masterclass and an intimate conversation, this documentary invites Léa to share her cinematic journey in front of the camera.

On the morning of October 30, 1995, tension was palpable throughout Quebec. On this Referendum Day, 15 years after René Lévesque chanted "À la prochaine fois!", would the people of Quebec say yes or no to their independence?

From the lower St. Lawrence, a picture of whale hunting that looks more like a round-up, with a corral, whale-boys and all. In 1534, when he stopped at the island he named l'Île-aux-Coudres, Jacques Cartier saw how the Indians captured the little white beluga whales by setting a fence of saplings into off-shore mud. In the film, the islanders show that the old method still works, thanks to the trusting 'sea-pigs,' the same old tide, and a little magic.

Stone Street documents the life and experiences of a Trinidadian diaspora family and their enduring connection to the long standing family home in Port of Spain. Through the intersecting journeys of this extended and extensive family, the filmmaker explores themes of home, belonging and identity in a life defined by the fragmentary nature of a migratory Caribbean culture. This experimental documentary combines a lyrical first person voice with a family archive of home made audio visual artifacts, interviews and events. As the documentary explores the fragmentary nature of Caribbean identity, it simultaneously celebrates the fragments of domestic memorializing found in home movies, videos and photographs. Stone Street uses these various forms to evoke the experience of a complex and diverse Caribbean and Caribbean diaspora identity.