James Reid

Aidan Harrison

Have you ever seen something on the internet that you just couldn't explain? Maybe it was posted yesterday, maybe it was posted 10 years ago. Either way, you just couldn't seem to get it out of your mind?  A scam artist takes real missing person cases and distorts them to fit his science-fiction narrative. But could there be validity in his findings?

Humouristic reconstruction of the 1995 scandal when two British lads were accused of having faked a documentary from the Roswell incident in 1947.

A clickbait journalist is sent to the Appalachian foothills to cover a Bigfoot Convention where he discovers there’s more to this listicle than meets the eye.

The film centers around Ultraman Taro growing up, and wanting to join the Ultra Brothers in battle. His family, however, thinks he is too young. Taro eventually proves himself after saving the 5 Ultra Brothers from the evil Grand King, created by Juda.

A young artist is caught in a physical and mental battle against a supernatural entity that forces him to free it from its dark prison, ¿or is it just his imagination?

An abandoned piece of farmland in rural Tennessee may hold the key to multiple missing person cases spanning over forty years.

Hayri, the youngest person who went to space, became quite famous and was accepted to the Science and Technology School. He now spends very little time in the neighborhood and spends most of his time on the giant robot Hayrimatör, the “Invention of the Century” as he calls it. Even though he designed and called it as an engineering marvel, Hayri could not manage to obtain the power source to run the Hayrimatör. With the support of our alien hero Zobi, Hayri manages to make the Hayrimatör work, but the villains go after the invention. This time, Rafadan Tayfa will team up to rescue Hayrimatör, who has been driven out of control by the Agent and his men.

In 1994, Romero traveled to Valencia College in Florida to make a short film called Jacaranda Joe. It was a re-imagined version of a movie he'd tried to make in the '70s called The Footage. The film is set on a Geraldo Rivera-like talk show called Remington, on which the sleazy host is discussing footage of a swamp-dwelling bigfoot-like creature that had been captured on video by the TV crew. In the aftermath of that footage getting out, the town of Jacaranda has become overrun by tourists, hunters and filmmakers hoping to find Joe themselves. The talk show panel debates whether Joe is real or a hoax, with a representative of a local Seminole community who claims to have seen Joe also talking about tribal customs and the cruelty and destruction of white American society. The talk show builds to a reveal of the footage of Joe, slowed down to give the audience a better look at the creature. It ends with Remington teasing further discussion and revelations on the rest of the episode.

Ambitious television reporter Tim O'Hara stumbles upon a martian whose spaceship has accidentally crashed on Earth. Thinking this is his ticket to a Pulitzer Prize, Tim makes plans to expose the martian, who, posing as Tim's Uncle Martin, takes human form and has plans of his own. In fact, all of Tim's efforts to divulge the truth are systematically thwarted by the resourceful alien, who ultimately recruits Tim to help him repair his ship for a return to Mars.