Miguel Leandro

The Third Part of the Third Measure creates an encounter with the militant minimalism of black avant-garde queer composer, pianist and vocalist Julius Eastman. The film focuses on what The Otolith Group describe as ‘an experience of watching in the key of listening’, invoking political feelings of defiance and the collective practice of movement building that participates in the global struggles against neoreactionary authoritarianism. The Third Part of the Third Measure invites viewers to attend to exemplary ecstatic aesthetics of black radicalism that Eastman himself once described as ‘full of honour, integrity and boundless courage’.

In late-90s suburbia, a lonely teenager meets a girl at school who introduces him to a mysterious late-night T.V. show — a vision of a supernatural world pulsing beneath their own. As time goes on, however, questions begin to arise about why the show sometimes seems more real than their own lives. In the pale glow of the television, their view of reality begins to crack.

Fer is a trans person who waits in their mind for their Gabriela to eat. When she arrives, Ángel accompanies her and questions Fer’s identity. This prompts Fer to self-explore, compare themselves to a cishet relationship, feel disconnected from their own skin, and search for something more in order to reach a conclusion without losing sight of what their body truly is.

A trans woman performs a satanic ritual to get a vagina, but unwittingly invites a demonic presence into her home which demands a terrible sacrifice.