What if your father murdered your mother? Maeve, Roser, and sisters Perla and Aurora each lost their mother, their father, and their safe home in a single day. Director Sara Kolster, in collaboration with expert Perla Joy, tells their stories about that single day, about how it could happen, but especially about what came afterward. Using tape, they reconstruct the contours of their childhood home, as it was before it became a crime scene, even though it served as a blueprint of their childhood.

This moving documentary tells the story of Daan, a cheerful and talented boy who left life at the age of sixteen after a school career in which he was systematically excluded. Former classmates organize a reunion to investigate how things got to this point. They discover that many other students also felt unsafe in the classroom. Meanwhile, Daan's sister Julia, who, like Daan, loves theater, is working on her self-confidence. And Daan's group of friends, where he could finally be himself, looks back on the time they spent with him.

The documentary, devoted to the last days of the professor who was tragically beheaded by an Islamist terrorist. This film highlights the failings of the state and the national education system in this deeply disturbing case.

In 1967 Canadian filmmaker Hugh O'Connor came with a crew to eastern Kentucky to make a film showing people from all walks of life in the United States. They finished the day by filming coal miners and their families in rental houses. As the filmmakers were leaving, Hobart Ison, the owner of the property, drove up and fired three shots, killing Hugh O'Connor. Elizabeth Barrett, from Kentucky herself, explores why this happened by trying to understand the people and culture of eastern Kentucky.

The trembling starts in his neck when Markus gets closer to the images that have chased him for 49 years. Now he steers his motor home south, as far away from his past as possible.

From schools and offices to hospitals and streets, cleaners are working everywhere, tirelessly and modestly. They work hard and keep society running. Invisible confronts viewers with their own involvement and reveals the price paid for the appearances we cherish.

Virginia McCullough murdered her parents and lived with their bodies for four years.

The story of how police repeatedly allowed a serial murderer to slip through their fingers. Stephen Port date-raped and murdered four young gay men in East London within fifteen months and dumped all four bodies within a few hundred metres of each other.  The film tells the story through eyes of the families of Port's victims, unpicking how the police failed to properly investigate each of the deaths in turn. The police's assumptions that these young gay men had died from self-inflicted overdoses of chem-sex drugs allowed Port to continue raping and killing innocent young men.

‘Sharp Objects’ follows the forgotten story of the Klungkung keris back to its origins and to its post-colonial relevance to Bali today, tracing the looting of the keris to modern day tourism in Bali. The film juxtaposes the 'knowledge' of colonial archives against community-based knowledge and mythology, convoluting the understanding of what is preserved, what is dead and what is lost. The artists apply a tangible intervention on the photochemical material they use for the film. This time consuming approach embodies the narrative of the labor intensive iron forging craftmanship of a keris blacksmith.