Memphis Depay

In Work A Lot, Memphis Depay steps off the pitch and into the daily lives of the people who keep São Paulo moving. The mini-documentary weaves interviews with Brazilian workers — from street vendors to truck drivers, from bakers to hairdressers — with behind-the-scenes moments of Depay’s own life in Brazil, spanning music, football, and visits to local communities. Stripped of glamour and filters, the film connects different realities through a shared truth: working hard isn’t a lifestyle choice, it’s survival. A raw, urban and honest portrait of daily struggle, belonging, and real life.

Hannah, Laure, Adrien, and Halima are students at the Regional Institute of Social Work in Paris. Four students among the fifty in the first year of training to become educational support workers. They chose this profession out of commitment and vocation. Between the classroom and their field placements, they will confront their dreams and ideals with the realities on the ground, discover new sides of themselves, and begin to shape the contours of the profession they will practice—each in their own way.

UTV documentary on Belfast's great old soccer team - Belfast Celtic.

At the beginning of the 70s, Sahia Studio produced a number of social investigations commissioned by the Central Committee of the Romanian Communist Party, intended to expose the so-called "social parasitism". The decision was taken after the theses of July 1971, which provide that "one of the main objectives of political work, especially among the youth, is the firm fight against the tendencies of parasitism, of an easy life, without work, the cultivation of responsibility and the duty to work , in the service of the country, the people, the socialist society". The most famous films, made with the competition of the Ministry of the Interior and the Ministry of Justice, are Să treacă vara and Iarna unor pierde vară

Animal and nature filmmaker Freimut Kalden spent six months traveling through Brazil by car. During his adventurous tour, he captured the landscape of the Amazon region up close with his camera, focusing primarily on the biological aspects of the region's typical vegetation.

A more experimental aproach to labor protection films. In the line of Săucan's style, the soundtrack is as important as the image, the threatening music, full of shrillness, composed by Ion Dumitrescu potentiating the visual construction that mixes - in a montage reminiscent of the Soviet avant-garde school of the 1920s - all kinds of shooting techniques and frame combinations.