Michel Lagourdette

Arlette Lagourdette

Arthur Valois--Lagourdette

In 1950, the explorer Roger Frison-Roche made a crossing of more than a thousand kilometers on the back of a camel with the photographer Georges Tairraz II, in the heart of the Sahara, from Hoggar then Djanet in Algeria to Ghat in Libya. From their journey they brought back a large number of color films and documents. Among thousands of photos, they selected 47 images which reflect the various aspects of these immense spaces which occupy a third of Africa in the book "The Great Desert". “The Great Desert, 1000 kilometers on camelback” is the eponymous 85-minute documentary of this epic, released in 1950.

A moving meditation on guilt and reconciliation, Bloodlines explores the unwritten cost of war and genocide on future generations - of both victims and perpetrators. As Bettina Goering, grandniece of Nazi war criminal Herman Goering, searches for a way to come to terms with her heritage, she meets Ruth Rich, a painter and daughter of Holocaust survivors. At a time when seemingly irreconcilable divisions between groups are tearing the world apart, this deeply hopeful film is a beautiful testament to the power of dialogue and post-conflict reconciliation.

Like a visual elegy, My Memory Is Full of Ghosts explores a reality caught between past, present and future in Homs, Syria. Behind the self-portrait of an exsanguinated population in search of normality emerge memories of the city, haunted by destruction, disfigurement and loss. A deeply moving film, a painful echo of the absurdity of war and the strength of human beings.

Made just three years after the end of the French-Algerian War (1954-1962), Gillo Pontecorvo's The Battle Of Algiers instantly ignited discussions of this complex historical period. Using the film as a point of reference, this 2004 documentary attempts to reconstruct the Algerian experience of the battle for independence.

The 40-day war has just ended in Armenia. David completed a 2-year service and has returned home from the front. Uncertain about his next steps, he is actively searching for a job that resonates with him. Arthur served in the army for a year and is currently on vacation. He continues his efforts to recall his favorite tune on the piano. Serezha harbors jealousy toward his brothers who experienced the war. He is getting ready to enlist in the army, as he will turn 18 this year. All three are brothers, and they are all Nina's children.

After forty years of fighting Moscow, Washington won the Cold War, and NATO found a way to expand eastward; however, there was one loose end to the problem: Yugoslavia was not a satellite of the USSR…

Who remembers Mohamed Zinet? In the eyes of French spectators who reserve his face and his frail silhouette, he is simply the “Arab actor” of French films of the 1970s, from Yves Boisset to Claude Lelouch. In Algeria, he's a completely different character... A child of the Casbah, he is the brilliant author of a film shot in the streets of Algiers in 1970, Tahya Ya Didou. Through this unique work, Zinet invents a new cinema, tells another story, shows the Algerians like never before. In the footsteps of his elder, in the alleys of the Casbah or on the port of Algiers, Mohammed Latrèche will retrace the story of Tahya Ya Didou and its director.

From May 10, 1940, France is living one of the worst tragedies of it history. In a few weeks, the country folds, and then collapsed in facing the attack of the Nazi Germany. On June 1940, each day is a tragedy. For the first time, thanks to historic revelations, and to numerous never seen before images and documents and reenacted situations of the time, this film recounts the incredible stories of those men and women trapped in the torment of this great chaos.