This compilation of rare, vintage footage, is filmed proof that there is no shortage of crazy ideas in this world. You will see thrilling stunts, demonstrations of wacky new machines, flagpole sitting, an early voice simulator, a golf pro machine, the giant harmonica, a matchbox house, hand and mouth players, self-launching lifeboats, rocket airplanes, winged humans, yo-yo experts, and much more.

Since the invention of the automobile, women have distinguished themselves by their daring: the history of women in motor sport.

Robbie Knievel, 52 and the owner of 20 world records and 350 jumps worldwide, life is uncovered through his personal pursuit of sobriety and the need of continuing his father's legacy by jumping once again.

Jackass Number Two is a compilation of various stunts, pranks and skits, and essentially has no plot. Chris Pontius, Johnny Knoxville, Steve-O, Bam Margera, and the whole crew return to the screen to raise the stakes higher than ever before.

The deleted scenes and additional stunts and sketches that originally were not presented in the original series.

Continuing the popular series from Fleshwound Films, this highlight video shows some of the more insane things people have tried to do with motorcycles. Filled with death defying leaps from motocross events and off track leaps and hill climbs, this film moves at a frenetic pace. Several professional motocross riders, including Seth Enslow, pull off some amazing stunts and jumps. This is the fourth entry in the Crusty Demons of Dirt series.

BBC Two takes us inside the world's biggest invention time capsule - the Science Museum vaults - and asks the nation to vote for Britain's Greatest Invention.

DVD of skateboarding, shenanigans and shit!

In one of those wonderful coincidences of history, lumière, the French word for “light,” was also the last name of brothers Auguste and Louis, whose brilliant invention, the cinematograph, helped to inaugurate the most beloved art form of the last 130 years. Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. The result is not only a glorious re(telling) of the genesis of cinema but a profound meditation on the beautiful world captured—and the mysterious world imagined—by the Lumières.