The traditional salmon weir of the River Sámi of Deatnu represents the symbiotic architecture of humans and ecosystems that also bears deeply on the international politics, global interests and changes of dynamics. As an architect, the director is also interested in the archetypal form of the weirs that also has things in common with other places and indigenous nations worldwide.

There's a funeral in Sapmi. The dead is the father of 17-year old John-Andreas. He now remembers what his father told him shortly before his death. Will John-Andreas manage to take over? It's tough to continue, when reindeers keep disappearing.

An essay film about how it may feel to grow up as a young Sami in Sweden, with poetry written by Ella-Maria Nutti and graphics by Irma Bergdahl. The partying of a typical teenager together with the labels put on you that wont go away, the questions which are thrown on you as knives in the back. A tribute to our ancestors who fought for our rights and a declaration of love to the young Samis who continues to fight

In the north country there are helpers. People with special gifts and abilities. In the Sámi heritage they have existed for centuries. They healed, relieved pain and stopped bleeding. And much more. The good helpers are still here. Out there in our modern world, they are hidden, sometimes hard to find - but not gone. What kind of knowledge do they possess - is it a gift, or could anyone learn how to heal?

A documentary about Sami comic artist Mats Jonsson and his relative Stor-Stina. Her remains were long believed to have been lost in a fire but were recently found and returned to her home town of Malå to be buried.

Ritni Pieski wishes it was easier for Sámi queer youth to grow up in their community. In this short film, Pieski addresses the lack of representation and information about queer people and rights within the Sámi people.

The third and final part of a trilogy based on Arctic creation myths. The film is a multifaceted tissue weave of myths and traditions reflected in the symbiosis between reindeer, human and landscape.

Loving someone of the same gender is frowned upon in Sami communities. Sparrooabbán (Me and my little sister) shows what it’s like to be a minority within a minority. Suvi describes how her little sister Kaisa wishes to be accepted as she is. Like her sister, Kaisa is a Sami, but also in a relationship with a woman, and she also works as a deacon. There are obviously more constricting communities in the film than only one.

A troubled nature photographer risk his family and himself in the fight against a mining project in the Nordic wilderness, when he faces strong political and economical forces, local rivals and a Sámi collective that hesitate to accept him as one of them.