Juan José Sordo

Ismael Sordo

One night, in a small bakery in a village in northern Spain, we accompany a baker who, through the contrast between the noise of heavy machinery and abrupt silences, works in solitude. His son, the author of the work, depicts the process: he projects his artistic and class concerns within the world of cinema by comparing the production of bread and the mechanisms of cinematographic creation.

In a quiet Rajasthani village, young Ali clings to his cricket bat as his friends chase it. What starts as playful mischief reveals a film crew struggling to finish their shoot, blurring childhood and the fragile magic of cinema.

A film student, who denies being in love with his teacher, wonders what cinema is, what love is, and why we do what we do.

A personal exploration by the director, who uses cinema for a social, architectural, and artistic tour of San Luis Potosí, scattered with passages from the filmmaker´s own past.

Three Mexican filmmakers — Max del Río, Gabriela Ivette Sandoval, and Hugo Villaseñor Alcázar — share their processes and challenges around a single question: How can an independent film get seen? Through the eyes of insiders, the documentary reveals the complex journey behind making cinema visible in Mexico.