Ellison 'Red' Anderson

Jeremy Coln

Christopher Potts

DKC Jr.

Austin Shaheri

Set against the backdrop of Hollywood, Homeys follows four unhoused artists in Los Angeles fighting to survive while chasing their creative dreams.

An explosion in one of the largest chemical plants in Europe, the Petrochemical complex in Tarragona, triggers the labour struggle of a group of workers who demand what is fair for everyone.

The first part of the film shows an actuality street scene of traffic in the Strand. Behind the traffic we can see the entrance to the Gaiety Theatre on the Strand, advertising its latest show 'My Girl'.  The second part is a different film altogether, spliced onto the first and is R W Paul’s Turn Out of a Fire Brigade filmed in November 1896 in Newcastle at the Westgate Road fire station.  The film date is 1896.

This documentary by Paolo Fazzini revolves around the birth of italian rap music movement in early 90's.

To do this documentary, the director Pedro Henrique Fávero featured 42 characters - among MCs, DJs and producers - to make a detailed map of its kind in the country. Without mincing words, they speak openly here about 8 topics proposed by the film and try to understand Hip Hop in Brazil. The result is a collection of stories from a lot of fighting, where there are many eternal start-end-start, overcoming the difficulties of being understood and feeling of belonging to a group and many clichés.

A city that has been living for two years with the law that prohibits "clandestine parties". A youth who, when reunited, risks receiving a police raid on their doorstep, in the street, in the park or in the square. Spatial segregation, denial of the right to the city and public space for the leisure of the poor, black and peripheral. Willingness to make art, create music, lyrics, poetry, beats, hits and spread culture in this repressive scenario.

Live performances, videos (BTNHResurrection album), interviews & more.

Stockholm Syndrome chronicles the meteoric rise of contemporary trendsetter A$AP Rocky, capturing the exuberance of youth and urgency of hip-hop in equal parts, before taking a detour into darkness. With amazing access, the film reveals Rocky’s experience with the inequities of the Swedish judicial system and the dangers of stardom and scapegoating through a series of twists and turns, ultimately paralleling the need for prison reform in our own backyard. Directed by The Architects, the film blends archival footage with contemporary interviews, animation, and electrifying live concert footage to tell the astonishing story of how one of rap’s biggest superstars became embroiled in an international incident, leading to an unexpected political awakening.

If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.