Musician, banjo-maker, and founder of the Black Banjo Reclamation Project Hannah Mayree organizes workshops and performances celebrating the banjo's Black history.

At the forefront of the folk revival movement since the 1950's, the Clancy Brothers and Tommy Makem are a highly influential group of Irishmen. Popularizing the traditional music of their homeland, the Brothers brought Celtic music into America, and remain some of its most avid performers.

Documents the race riot of 1921 and the destruction of the African-American community of Greenwood in Tulsa, Oklahoma. With testimony by eyewitnesses and background accounts by historians.

Tracing his career up to the point of his 1966 motorcycle accident and subsequent disappearance from the spotlight, this unauthorized documentary uncovers a side of Bob Dylan never revealed before. Includes extensive interviews and rare footage.

As a sci-fi obsessed woman living in near isolation, Beverly Glenn-Copeland wrote and self-released Keyboard Fantasies in Huntsville, Ontario back in 1986. Recorded in an Atari-powered home-studio, the cassette featured seven tracks of a curious folk-electronica hybrid, a sound realized far before its time. Three decades on, the musician – now Glenn Copeland – began to receive emails from people across the world, thanking him for the music they’d recently discovered.

In this interview, conducted for the Criterion Collection in 2014, Elijah Wald, who collaborated with folksinger Dave Van Ronk on his memoir, The Mayor of MacDougal Street, discusses the people and places central to New York's Greenwich Village folk scene of the late fifties and early sixties - a scene transformed by the arrival of Bob Dylan.

A single female voice sings of waiting in her garden for her ‘dark-eyed sailor’ to return from war, bearing the other half of their token, a gimmel ring. Three veterans pass on the road as she waits, and she asks them: “When you were fighting in distant lands, did you think of the home you left?” In reply the veterans relate their recollections. The garden images in the accompanying film represent ‘home’, but also stand for a more general possibility of redemption, of the potential of the past to return at any time, disguised and changed, to renew the present: “Each moment of time is a garden gate,” the song goes, “Through it my love may walk.”

Documentary about the blacklisted folk group The Weavers, and the events leading up to their triumphant return to Carnegie Hall.