The documentary shows the academic movement and its several crisis by the players perspective and the way they contributed and involved themselves in the movement as students and Men. The main focus will be on the players and the academic leaders in this process during the 60’s.

On October 12, 1972, during a student meeting at the former Higher Institute of Economic and Financial Sciences, a PIDE/DGS agent shot two students. One of them, José Ribeiro Santos, died soon after at Santa Maria Hospital. His death sparked massive protests, and his funeral became a symbol of resistance against the dictatorship. More than a year before the April 25 Revolution, students declared, “That day, we lost our fear.” Diana Andringa’s documentary revisits this event through testimonies and reflections on its lasting impact on a generation and on Portuguese society.

Timo Novotny labels his new project an experimental music documentary film, in a remix of the celebrated film Megacities (1997), a visually refined essay on the hidden faces of several world "megacities" by leading Austrian documentarist Michael Glawogger. Novotny complements 30 % of material taken straight from the film (and re-edited) with 70 % as yet unseen footage in which he blends original shots unused by Glawogger with his own sequences (shot by Megacities cameraman Wolfgang Thaler) from Tokyo. Alongside the Japanese metropolis, Life in Loops takes us right into the atmosphere of Mexico City, New York, Moscow and Bombay. This electrifying combination of fascinating film images and an equally compelling soundtrack from Sofa Surfers sets us off on a stunning audiovisual adventure across the continents. The film also makes an original contribution to the discussion on new trends in documentary filmmaking.

Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.