Taken from The Arabian Nights, a wicked sorcerer and the beautiful prince Achmed battle one against the other during a series of wondrous adventures.

A young, beautiful prostitute named Sadie Thompson arrives on the South Pacific island of Pago Pago looking for honest work and falls for Timothy O'Hara, an American sailor who is unfazed by her unsavory past. However, Mr. Davidson, a missionary who arrived on the island at the same time, aims to "save" Sadie from her sinful life and petitions to have her separated from her beau and deported back to San Francisco.

Boisterous gangster kingpin Bull Weed rehabilitates his former lawyer from his alcoholic haze, but complications arise when he falls for Weed's girlfriend.

A mysterious woman watches her house burn down and goes on a cathartic journey.

Joe and Eve are engaged, but Joe cannot help contrasting the drabness of her attire with the dressy clothes of their friends. Eve overhears him talking of this and breaks with him. Then, with the help of her friend, Mazie, she metamorphoses into a ravishing beauty. Joe is remorseful, but the situation is made more complex when he suspects Eve of questionable relations with her boss.

Captain George Bryan Brummell is a British soldier who appreciates fine clothing and innovative dress. Although he initially alienates the Prince of Wales with insulting comments about the prince's uniform designs, he eventually becomes his close confidant. Brummel also falls in love with the beautiful Lady Patricia Belham. However, his outspoken manner eventually leads to his being exiled to France.

Sinbad returns from the sea to find his country subjected to the will of two unscrupulous sorcerers.

In the aftermath of her more famous adventure, Snow White must team up with the dwarves' seven female cousins to battle the late Evil Queen's warlock brother and rescue the captured Prince.

The background of this picture represents a scene along the beautiful river Seine in Paris. A gentleman enters, and taking a blackboard from the side of the picture, he draws on it a sketch of a novelist. Then, standing in the centre, he causes the living features of his sketch to appear in the place of his own, which is utterly devoid of whiskers. The change is made so mysteriously that the eye cannot notice it until one sees quite another person in the place of the first. Again another sketch is shown on the board, this one being that of a miser; then an English cockney; a comic character; a French policeman, and last of all, the grinning visage of Mephistopheles. It is almost impossible to give this film a more definite description; suffice it to say that it is something entirely new in motion pictures and is sure to please. (Méliès Catalog)