Kim Basinger

Val Kilmer

Terence Stamp

David Dwyer

Gailard Sartain

Karen McCoy is released from prison with nothing but the clothes on her back. Before being incarcerated, Karen was the bank robber of her time, but now she wishes for nothing more than to settle down and start a new life. Unfortunately, between a dirty parole officer, old business partners, and an idiot ex, she will have to do the unthinkable in order to save her son.

A message has arrived from Kid the Phantom Thief, that he will steal a Japanese sword belonging to wealthy Onoe Family in Hakodate, Hokkaido. Conan and Heiji Hattori, who happened to be in Hakodate, are on the case to capture Kid. Coincidentally the family lawyer of Onoe is found murdered in the warehouse district, apparently slaughtered by a Japanese sword. The suspect is an investor/arms dealer who is said to be after Onoe family’s hidden treasure. In the North among cherry blossoms, the exciting hunt for treasure begins!

Inmate Rex is transferred to a new prison after allegations of abuse against the prison service. Waiting down in the solitary confinement unit is the governor's human weapon, Darrell, now in his daddy era—what will Rex do to survive?

The cold-hearted AI that runs a futuristic prison summons a prisoner to face his second parole hearing. Can he re-enact his crime without offending again?

Stage director Frank Castorf “might have been born to direct From the House of the Dead” (Opera Today). His gritty, visually striking adaptation brings bold modern and postmodern touches to Janáček’s masterwork without ever overshadowing the intense forward momentum of the music, conducted to dramatic perfection by Simone Young and sung by an all-star cast in Munich.  Janáček adapted Dostoevsky for this powerfully compelling opera set in a Siberian prison camp, full of starkly contrasting moods and motifs, unusual in its episodic structure. The last opera Janáček ever composed, its third act was on his desk when he died in 1928; attempts by his students to “complete” his orchestration have largely fallen away over the decades in favor of the original version. Despite the grimness of the setting and the brutality of several characters, the composer’s compassion shines through in tender moments, movingly illustrating his motto for the work: “in every creature, a spark of God.”

Based on the memoir Special Housing Unit, The Last Ledger follows Raj Chowdhury, a brilliant fin-tech entrepreneur whose meteoric rise through technology and finance collapses under the weight of federal prosecution. Inside prison, stripped of power and identity, he confronts betrayal, survival, and the systems built to break men. From solitary confinement to rebuilding a global financial empire, the story traces a journey through ambition, ruin, and resurrection.

As a young filmmaker who suffers from OCD, Lucas struggles with finishing his synopsis for a film that he had always dreamt of making. Despite his ambitions, Lucas can't seem to gather his thoughts and he worries that his work will not be the perfection that he undoubtedly desires. With overwhelming emotions and a lack of self-confidence, Lucas finds himself trapped in his own mind where he desires everything to go as planned but is instead faced with his fears and an altered reality that his mind presents to him.

Fresh out of prison, Dane believes he has left his addiction and the demons of his past behind. But on his first day of freedom, mounting debts, fractured relationships, and the relentless pull of old habits force him into a desperate fight for survival. Exit Road is a tense and emotionally raw portrait of a man teetering between redemption and self-destruction.