Cecilia Parker

Russell Hopton

Theodore von Eltz

Thomas E. Jackson

Warner Richmond

After a good-natured Irish cop is framed for a diamond robbery and murder and presumed dead in a train wreck, he gets plastic surgery and returns to expose the real killers.

Leonard Shelby is tracking down the man who raped and murdered his wife. The difficulty of locating his wife's killer, however, is compounded by the fact that he suffers from a rare, untreatable form of short-term memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he's going, or why.

Axel Foley returns to the land of sunshine and palm trees to investigate the near-fatal shooting of police Captain Andrew Bogomil. With the help of Sgt. Taggart and Det. Rosewood, they soon uncover that the shooting is associated with a series of "alphabet" robberies masterminded by a heartless weapons kingpin—and the chase is on.

Selma, a Czech immigrant on the verge of blindness, struggles to make ends meet for herself and her son, who has inherited the same genetic disorder and will suffer the same fate without an expensive operation. When life gets too difficult, Selma learns to cope through her love of musicals, dreaming up little numbers to the rhythmic beats of her surroundings.

Directed by Solveig Hoogesteijn, Macu, the Policeman's Woman (1987) is a Venezuelan crime drama based on a true story. The film follows Macu, a young woman living in a Venezuelan shantytown, who becomes romantically involved with a local policeman named Ismael. As their relationship develops, Ismael's jealousy intensifies, leading to tragic consequences. The narrative delves into themes of power, control, and the dynamics of abusive relationships within marginalized communities. The film is notable for its exploration of gender roles and societal issues in Latin America.

Angoroj (1964; Esperanto for "Agonies") was the first feature film to be produced entirely in Esperanto. (Jacques-Louis Mahé, a friend of Raymond Schwartz and under the pseudonym of 'Lorjak', had however already produced a silent Esperanto publicity film before World War II, titled Antaŭen! (Onwards!).  At the start of the 1960s Mahé, a professional photographic and cinematic expert, invested in the production of the first fictional film in Esperanto. Using a scenario by Mahé himself, the actors of the Internacia Arta Teatro (International Arts Theatre) presented a crime story, set in the Parisian periphery of petty thieves and cheats. Other notable people who played parts in the film included Schwartz (the commissioner), Gaston Waringhien (the voice-over) and many from the environs of the contemporary Paris, including a very young Michel Duc-Goninaz.

A rich but miserly old man taunts his relatives about who will get his money when he dies, and is soon mysteriously murdered. It turns out that he has left his estate to a beautiful young actress whom the other relatives didn't know was related to him. Several attempts on her life are thwarted by a detective, who sets out to discover who's behind the scheme to kill her.

When a sheltered young woman becomes enamored with a struggling writer, she goes to great lengths to become involved in his creative process.

The nature and lure of power: in Dallas, a councilman is on trial for corruption, the D.A. is running for the US Senate, a serial killer is slashing prostitutes, and a professor is murdered. Amanda Reeve is assigned to investigate the law-school killing. She hears rumors that the dead man offered women students good grades in exchange for sex. The trail leads her to two wealthy, beautiful students whose alibi is provided by a librarian. At the same time, the cops close in on the slasher. Meanwhile, Amanda misses her former lover, next in line to become D.A., and a reporter is fired for getting close to the truth about the Senate candidate. Is a cover-up or conspiracy in the works?