Melvil Poupaud

Jeanne Moreau

Valeria Bruni Tedeschi

Daniel Duval

Marie Rivière

Romain, 31, a fashion photographer with terminal cancer, elects to die alone, preparing others to live past him rather than prolong the inevitable with chemotherapy or be smothered in sympathy by those who know him.

A man and a woman meet in the ruins of post-war Poland. With vastly different backgrounds and temperaments, they are fatally mismatched and yet drawn to each other.

An aspiring clown grappling with her gender identity combats a fascistic caped crusader.

In an era marked by the reign of fluid relationships, through apps and blind dates, Alejo seeks to fill his sentimental void by constantly changing sex partners.

Jimmy Park is visiting home for the first time in years and has nothing to show for his time living overseas in Seoul. But old tensions come to a head when he confronts his homophobic sister at a family dinner.

Angoroj (1964; Esperanto for "Agonies") was the first feature film to be produced entirely in Esperanto. (Jacques-Louis Mahé, a friend of Raymond Schwartz and under the pseudonym of 'Lorjak', had however already produced a silent Esperanto publicity film before World War II, titled Antaŭen! (Onwards!).  At the start of the 1960s Mahé, a professional photographic and cinematic expert, invested in the production of the first fictional film in Esperanto. Using a scenario by Mahé himself, the actors of the Internacia Arta Teatro (International Arts Theatre) presented a crime story, set in the Parisian periphery of petty thieves and cheats. Other notable people who played parts in the film included Schwartz (the commissioner), Gaston Waringhien (the voice-over) and many from the environs of the contemporary Paris, including a very young Michel Duc-Goninaz.

Fredy is a teenager who lives in the countryside and denies his homosexual inclinations. When rumors start circulating in the village, he decides to go to Havana, where he meets a group of people who help him realize that it is best to accept himself.

A young woman grapples with the untimely death of her sister, seeking solace in an imagined reality where they grew up together.