Gabriela Domínguez Ruvalcaba

Memory mechanisms are mysterious: we only see the stories we choose in order to construct our own reality. Every mark is a message in time, the invocation of an absence. To travel in the memory is to walk in time, zigzagging, a long road permeated by a dark, indecipherable logic… if we could choose seven moments to sum up our entire life, which ones would they be? The Dance of the Memory is a documentary-essay that guides us in that autobiographical search, where image and memory intertwine. It mixes archive material with an aesthetic and subjective tone.

The quietly insistent and critical DEPOSITIONS attempts to restore some dignity to images of the communities of the Scottish highlands taken from patronizing BBC documentaries and news features from the 70’s and 80’s. DEPOSITIONS repurposes footage from the archives of the BBC and sound from the School of Scottish Studies, it is a film about differences and dichotomies: science and superstition, near and far, community and the individual.

Found footage anti-war film comprising film documents of the Austro-Hungarian and Italian army on the Alpine front, and from first generation picture material by war-film pioneer Luca Comerio.

Working from archives of private film footage from a trip to India by the upper class of the late 1920s, a period of strong anti-colonial outbreak, Yervant Gianikian and Angela Ricci Lucchi deconstruct the images and analyze the attitude and behavior of Westerners in the East.

Few amateur films with sound were produced in the 1930s and fewer remain extant. A charming artifact that demonstrates the expressive possibilities and technical limitations of amateur talkies, "The Spider and the Fly" includes a backyard Labor Day gathering, a trip to the Riverview Amusement Park, and a homemade Halloween parade of witches and ghouls.

Alternating Philippines and Saudi Arabia as her home, the filmmaker uses personal home videos and present footage to tell the story of her family.

In this home movie collection of gay men, memory serves as an act of hope, power, and above all, resilience.

Through the footage from his family's Handycam, the director creates a portrait of his family that is falling apart.