Thomas Drake

John Kiriakou

Jesselyn Radack

Marc Basil

Jeffrey Brewer

Three National Security whistleblowers fight to reveal the darkest corners of America's war on terror, challenging a government that is increasingly determined to maintain secrecy.

Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.

Two mothers who were each separated from their children in the United States for months after fleeing from danger in their homelands to seek asylum work with pro-bono lawyers and volunteers to reunite with their kids who have been placed thousands of miles away from them with little access to communication.

In 1972, a seemingly typical shoestring budget pornographic film was made in a Florida hotel: "Deep Throat," starring Linda Lovelace. This film would surpass the wildest expectation of everyone involved to become one of the most successful independent films of all time. It caught the public imagination which met the spirit of the times, even as the self-appointed guardians of public morality struggled to suppress it, and created, for a brief moment, a possible future where sexuality in film had a bold artistic potential. This film covers the story of the making of this controversial film, its stunning success, its hysterical opposition along with its dark side of mob influence and allegations of the on set mistreatment of the film's star.

A documentary produced by the United States Central Intelligence Agency (CIA) that covers the history, land reform, industry, religion, educational system, and urban activities of Taiwan.

Through vintage film clips of past Bond movie epics, and with the participation of several former "Bond Girls" as interviewees (among them Dr. No's Ursula Andress and Diamonds Are Forever's Jill St. John), the documentary traces the evolution of the typical James Bond heroine from decorative damsel in distress to gutsy (but still decorative) participant in the action.

The film looks at men and women of color in the U.S. Merchant Marine from 1938-1975. Through chronicling the lives of these men and women who, with a median age of 82,  are beset with a host of life-threatening illnesses, the movie tells how they navigated issues of racism, disparities in the workplace, gender and familial relations.