Alex de Vos

Sarah de Vos

Dana Katz

Good Grief is a short stop motion animated documentary that explores the lessons we learn from dealing with grief and loss. Five real people share their true stories of losing something precious and what it has taught them about living.

Born into a family of actors, Françoise Dorléac, Catherine Deneuve's older sister, began her career at the age of 15. She shone a few years later alongside Jean-Paul Belmondo in "L'Homme de Rio". From there, a great international career is announced to the young actress. But in 1967, a few months after filming the "Demoiselles de Rochefort" with her sister, she died tragically in a road accident, at the age of 25. Nevertheless, she leaves behind an abundant career and thus continues to be present in the minds of cinephiles.

This family story contains a private reading of ten years in the history of Spain, from the birth of two brothers of the author until the death of the Spanish dictator in 1975.

Insights into the automobile production line at Studebaker.

Arvitarniit is a series of short videos presenting the journeys of inspiring post-secondary students from Nunavik. In this clip, we invite you to meet Louisa Papigatuk Argun, from Salluit.

An indentured Chinese laborer, brought to Japan to work in a coal mine during WWII, manages to escape his captors. He hides out in the Japanese countryside, so far from human habitation that he does not realize when the war ends, with ultimately tragic results.

Efil Cisó, young heir to the prestigious family of Bouclette’s barbers decides that he doesn’t want to continue with the family tradition and wants to pursue his dream of being a baker.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on.  Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.