Yan Bingyan

Chen Gang

Jiao Gang

Li Xian

Zhao Qian

One of the most acclaimed movies to come out of China last year, Feng Shui harnesses the talents of underrated actress Yan Bingyan to deliver this family drama about a woman desperate to ascend to the middle class and willing to pay any price. Powerful and emotionally tense, this is a portrait of the hidden side of the great Chinese success story.

Set amidst the civil war of Algeria in the 1990s, Enough! is the story of two women. Emel is a Westerner whose husband, a journalist, is missing - perhaps kidnapped or even killed for articles he's written.

Images from the past are projected onto the left-behind spaces of the present in a poetic act of haunting and resurrection as the filmmaker tries to recreate the memory of her grandmother.

A fatally ill mother with only two months to live creates a list of things she wants to do before she dies without telling her family of her illness.

Thirteen year old Julija and her mother flee their abusive household to find refuge on an idyllic Croatian island where Julija grew up. Emotionally scarred, Julija is desperate to reconnect with her best friend, Ana. But Ana is in love with a boy and Julija is no longer a priority.

The story of teenager Billy Bloom who, despite attending an ultra conservative high school, makes the decision to run for homecoming queen.

Directed by Solveig Hoogesteijn, Macu, the Policeman's Woman (1987) is a Venezuelan crime drama based on a true story. The film follows Macu, a young woman living in a Venezuelan shantytown, who becomes romantically involved with a local policeman named Ismael. As their relationship develops, Ismael's jealousy intensifies, leading to tragic consequences. The narrative delves into themes of power, control, and the dynamics of abusive relationships within marginalized communities. The film is notable for its exploration of gender roles and societal issues in Latin America.