Colm Feore

Zombies are part of pop culture, but what are they? Where do they come from? To find real zombies we visit Haiti where Zombies are an integral part of the island's cultural and religious roots.

For how long have we been laughing? Are human beings the only ones to laugh? In the past, scientists tended to neglect such questions of laughter, leaving them to the philosophers. Jacques Mitsch's A NATURAL HISTORY OF LAUGHTER explores recent scientific attempts to explicate this most elusive of human faculties, undertaken by scientists who see it as a means of approaching some of the larger mysteries of neurology and human behavior.

Presents life in 18th century Spain as the painter Francisco de Goya showed it to us.

An intimate portrait of a family coming to terms with decades of institutional abuse and the impact it has had and is still having on their lives.

In this documentary, Prof. Laércio Fonseca presents facts and connections between cosmology, the universe, The Earth Project and The Planet Deadline according to Chico Xavier. Where did I come from? Where I go? Is the end of the world near? Was Chico Xavier right? Do we have a deadline? Find out the answers to these and other questions in this movie.

A documentary about the Synthwave scene, nostalgia and the universe of creating sounds. A love letter to human fascination and the collective memories of a universe, that never existed.

It's a condition known as "hypertrichosis" or "Ambras Syndrome," but in the 1500s it would transform one man into a national sensation and iconic fairy-tale character. His name: Petrus Gonsalvus, more commonly known today as the hairy hero of Beauty and the Beast.

Decolonising the Curatorial Process is a forty-minute documentary which explores decolonial strategies in an academic and curatorial context. The film features academics, activists and practitioners, and contains case studies of institutions that are deploying critical, self-reflective forms of curatorial practice. The Museum of London Docklands exhibition on slavery and the sugar industry is examined as an example of how an institution can decolonise the curatorial process, utilise the work of artists in a museum context, and critically examine East London's imperial history. The Pitt Rivers museum in Oxford, who are working with Maasai activists from Kenya and Tanzania on a project centred on repatriating the museum's collection of sacred Maasai artefacts, also features in the film.