Gérard Rinaldi

Marie-France Santon

The enterprising Anton Klapproth runs a flying duck farm in the Eifel, but now he finally wants to experience a real adventure in the big city of Cologne. A visit to a sanatorium for the mentally ill seems particularly sensational to him, as there is certainly a lot going on there with the "Jecken" and would provide plenty of story material for his regulars' table. In return for a loan, Anton's nephew allows his uncle to stay at the Pension Schöller. However, the guests there are by no means mentally ill, just rather eccentric. However, the unsuspecting Anton has a great time, thinking he is in a psychiatric institution.

The Odyssey of director Radomir Belacevic who leaves his native village on his faithful horse named Knight and sets out to the capital trying to put his drama on the National Theatre's program, allegedly backed by foreign investors, too. Seduced by flashy lights of the city and beauty of metropolitan women, his Don Quixotean mission takes a different route and he becomes a modern Ulysses who forgets his roots and assimilates with the urban jungle.

A determined young boy living in a small village strives to obtain enough money to purchase a ticket to the cinema.

Lakis Lazopoulos climbs on the roof following the course of the breakdown of the average Greek. A house is sinking, the river has overflowed, no one will stay. The river carries them all away. On the roof, Lakis Lazopoulos, as a modern Odysseus, sinks like our life sinks today. The past begins to knock on the door and asks to take a stand. The history of the modern Greek from 1960 until today, the dissolution of us, the rise of the ego, the descent of emotions, the transition to corruption, the ridicule of the Greek in history. Chryssa Ropa, as a modern Penelope, tries to keep the house, the child, the life that is lost. But love and affection are crushed in the years of infidelity and greed.