Going behind the usual images of war-torn Gaza, Swiss documentarian Nicolas Wadimoff offers this look at how people survive despite constant threat of danger. Children still play, rappers still create music and families still love one another. In addition to visiting the United Nations Food Distribution Center, Wadimoff films at a derelict amusement park and profiles the DARG TeaM rappers, whose politically charged music proclaims their defiance.

Rafah is located in the southern Gaza Strip. It’s a city cut in two by the Philadelphia Road, a security corridor between Sinai and Gaza. It’s destiny changed during the night of 12 September 2005, when the Israeli army withdrew from the Gaza Strip. The Israelis evacuated the Philadelphia Road and the colonies surrounding the city disappeared. But Rafah would never emerge from its chaos. Rafah is the hub of arms trafficking between Egypt and the Gaza Strip. Since the Israeli withdrawal, these arms have contributed to the bloody wars between families. After the Hamas victory at the legislative elections, the city sank into a major economic crisis. On 25 June, 2006, Israeli corporal Gilad Shalit was abducted by Palestinian militants using a tunnel dug from Rafah. In reprisal, Tsahal shelled the houses of arms dealers located along the Philadelphia Road. By 12 September, 2006, a year after the withdrawal, all hopes of rebirth had died.

London students and academics protest the genocide in Gaza.

In July 1988, Mizue Furui was in the Gaza Strip  and West Bank  with her camera as a rookie freelance journalist.  Covering the Palestinian condition, she became acquainted with Ghada Ageel, a 23-year-old teacher at an elementary school, in November 1993 and started shooting her life up to when she turned 35.  The 12 years Furui spent shooting still and video images has borne fruit in a documentary titled "Ghada -- Songs of Palestine," which will be released in Uplink Theater in Shibuya Ward, Tokyo, in May as a rare report on women in the traditionally male-oriented Palestinian society.

The Tank and The Olive Tree recalls a certain number of forgotten fundamentals and sheds new light on the history of Palestine. By combining geopolitical analysis, interviews with international personalities who are experts on the subject and testimonies from Palestinian and French citizens, this documentary offers the keys to understanding what the media call the Israeli-Palestinian conflict. Enough to rid people's minds of clichés and prejudices! If The Chariot and the Olivier is intended to be educational, it speaks above all of a magnificent territory, and of a people who constantly affirm that “to live is already to resist”...

This documentary, filmed after October 7, places recent events in context and retraces the extraordinary history of this region to shed light on the present, interviewing actors and witnesses to this conflict: Islamists, Jewish nationalists, imams, rabbis, intellectuals, urban planners, soldiers, etc.

Amos Gitai returns to the occupied territories for the first time since his 1982 documentary FIELD DIARY. WEST OF THE JORDAN RIVER describes the efforts of citizens, Israelis and Palestinians, who are trying to overcome the consequences of occupation. Gitai's film shows the human ties woven by the military, human rights activists, journalists, mourning mothers and even Jewish settlers. Faced with the failure of politics to solve the occupation issue, these men and women rise and act in the name of their civic consciousness. This human energy is a proposal for long overdue change.

The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.