Mestre José Diniz

Ronaldo Silva

Juninho

An ethnographic documentary following the Folia de Reis party that is celebrated every year at Morro de Santa Marta on Rio de Janeiro.

An intimate portrait of a family coming to terms with decades of institutional abuse and the impact it has had and is still having on their lives.

A documentary about Iguana Garcia, a Lisbon musician, where we get to know João, the man behind the name, who embodies one of the most promising growing musicians in the world of Portuguese national music. In a personal and intimate phone call, we get to know him without barriers and all his history to this day.

Ary Barroso was one of the greatest composers of Brazilian music with his successes for the whole planet. Know its history, reconstructed through Ary's own audio files, interspersed with reports from friends and family.

In this documentary, Prof. Laércio Fonseca presents facts and connections between cosmology, the universe, The Earth Project and The Planet Deadline according to Chico Xavier. Where did I come from? Where I go? Is the end of the world near? Was Chico Xavier right? Do we have a deadline? Find out the answers to these and other questions in this movie.

Decolonising the Curatorial Process is a forty-minute documentary which explores decolonial strategies in an academic and curatorial context. The film features academics, activists and practitioners, and contains case studies of institutions that are deploying critical, self-reflective forms of curatorial practice. The Museum of London Docklands exhibition on slavery and the sugar industry is examined as an example of how an institution can decolonise the curatorial process, utilise the work of artists in a museum context, and critically examine East London's imperial history. The Pitt Rivers museum in Oxford, who are working with Maasai activists from Kenya and Tanzania on a project centred on repatriating the museum's collection of sacred Maasai artefacts, also features in the film.

Zolita's debut album "Evil Angel" will be performed live for the first time as a theatrical performance piece directed, produced, and designed by Zolita and her cult of girls collaborative team.

Documentarian Jose Sanchez-Montes turns his attention towards the late Cuban musician Ignacio Villa, known throughout the world as Bola de Nieve (Snowball), with this 2003 biographical documentary entitled simply Bola de Nieve. A master pianist, Bola de Nieve was a mainstay through the middle portion of the 20th century, with his music almost omnipresent in South America cinema throughout those formative decades. With Bola de Nieve's famous statement "I'm a sad person, but my songs sound happy" in mind, Sanchez-Montes also looks at the influence of the musician's African heritage and homosexuality upon Bola de Nieve's unique musical style.

A portrait of a hard rocking band known for their substance-fueled live performances on their evolutionary journey to become one of the greatest cult rock bands of our time.