Mark Romanek

Fiona Apple

Brian Bell

Vincent Gallo

David Blaine

More than two-dozen music-videos directed by filmmaker Mark Romanek (One-Hour Photo) are collected together in this compilation from Palm Pictures. Among the songs featured in The Work of Director Mark Romanek are "Novocaine for the Soul" by Eels, "99 Problems" by Jay-Z, and "Hurt" by Johnny Cash.

5 years ago Kevin Smith tried to end his career with the movie Tusk. Enjoy this documentary on the making of Tusk 'Walrus Yes'.

The Art of Dubbing…, a documentary about Hungarian dubbing, was made with the participation of dozens of well-known actors and professionals working in the field. The documentary is a fitting tribute to the legendary Hungarian dubbing actors and actresses and the dubbing profession. The film also talks about the origins, golden age, present and possible  future of Hungarian dubbing.

Director Jack Sholder tells the story behind Renegades (1989)

This horror documentary is not the same as the 1986 TV special Stephen King's World of Horror nor the 1988 VHS release of the same name, which runs 45 minutes, was distributed by Front Row Entertainment and is about King himself. Instead, This Is Horror (copyright 1989) was a TV special which ran in four 60 minute increments. This new special used some framing footage from the original 'World of Horror' but is primarily newer interviews and behind-the-scenes footage about what was hot in horror in the late 80s. Here in the U.S., a condensed 90-minute version made its way onto video courtesy of Goodtimes in 1990. Elsewhere, the entire special was released as 2 different tapes running 90 minutes apiece. In the UK these were titled This is Horror: A Video Encyclopedia of Horror (Volumes 1 and 2) and in Germany they were called Best of Stephen King's World of Horror (Parts 1 & 2).

A feature-length documentary focusing on the acclaimed work and eclectic career of maverick filmmaker Larry Cohen, writer-director of "Black Caesar," "It's Alive," "God Told Me To," "Q," "The Stuff," and many more.

In a brand-new documentary, the actress who portrayed the unforgettable Émilie Bordeleau revisits her memories of filming and analyzes the cultural legacy of this cult saga. By exploring the timeless power of its characters, she testifies to the major impact this work has had on the collective imagination and on the history of Québec television.

As we run, the layers of responsibility and identity we have gathered in our lives, the father, mother, lawyer, teacher, Manchester United-supporter labels, all fall away, leaving us with the raw human being underneath. With nothing but our own two legs moving us, we begin to get a vague, tingling sense of who, or what, we really are.