Calin'ka

Dolly Doll

Fasty Wizz

Liv Menoot

Lea Vahina

Crazy Horse Paris' international tour started in late 2009 and continues to galvanize audiences around the world. As a tribute to its founder and a 60 years celebration, the legendary cabaret showcases the best acts from its repertoire.

One of the rooms inside the legendary Barba Azul Cabaret has become a shelter for the girls working there: the women's bathroom. Every night La Mami, who's in charge of the bathrooms, offers them the warmth and the advice they need to take on the challenge they face in the dance hall.

Stage registration of the thirteenth show by the Flemish cabaret duo Kommil Foo. About man and his everyday tragedy. And that that man is a wolf to his fellow man...

Stage registration of the fifteenth show 'Breken' by the Flemish musical comedy duo Kommil Foo. The performance opens with the question 'How do you get a grown man into a matchbox?'

This 1981 video magazine “For the Man Who Wants More…” contains Monte Hellman’s short portrait of Francis Ford Coppola discussing business and craft at home and on the set of his Zoetrope Studios, “Inside the Coppola Personality” (aka “Coppola: A Profile”). Also inside is “Modesty”, a self-portrait by Bob Rafelson, shot by Bruno Nuytten; a portrait of a pubic hair dye specialist; a travelogue on Bangkok; a candid camera with a planted hussie at a gas station. a.o.

A filmed burlesque show, staged at the El Rey Theater in Oakland, CA.

As a architectural expert discusses how design and function is of the essence in his craft Russ sees in his mind a a woman getting fitted for a bra using all the same design factors as building a skyscraper.

A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.