Swimming. The Russian swimmer Romantschenko visits Copenhagen. He jumps into the water and swims around in the harbor, and he is later seen together with journalist Anker Kirkeby.

Andy Warhol directs a single 35-minute shot of a man's face to capture his facial expressions as he receives the sexual act depicted in the title.

A unique hybrid of documentary, silent film, drama and dance, 'Breaking Plates' puts revolutionary women of the past on the screen with present day filmmakers. Contemporary women talk to characters from 100 years ago, reanimate their antics and emulate their mayhem moves. As early 21st century performers step into the clothes of their early 20th century counterparts, battling their haywire machines, exploding gags, and eruptive bodies, they learn to wield humour as a weapon against the structures that contain them today.

The Quays' interest in esoteric illusions finds its perfect realization in this fascinating animated lecture on the art of anamorphosis. This artistic technique, often used in the 16th- and 17th centuries, utilizes a method of visual distortion with which paintings, when viewed from different angles, mischievously revealed hidden symbols.

Photo sequence of the rare transit of Venus over the face of the Sun, one of the first chronophotographic sequences.  In 1873, P.J.C. Janssen, or Pierre Jules César Janssen, invented the Photographic Revolver, which captured a series of images in a row. The device, automatic, produced images in a row without human intervention, being used to serve as photographic evidence of the passage of Venus before the Sun, in 1874.

Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen's legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. But the film itself is far from serious-- instead it's a witches' brew of the scary, gross, and darkly humorous.

A poetic documentary tribute to the famous Eiffel tower, built for the 1889 World Fair and intended to have been destroyed 20 years later. A vocal subset of Parisians (among which, one may surmise, Clair would've been counted) insisted the Tower remain above the River Seine, a continued display of French engineering excellence. Clair makes strategic use of double exposures and dissolves, capturing the mechanical exuberance of the Tower; The great swooping steel latticework edifice a bounding symbol of the modern age.