Dom DeLuise

Jimmie Walker

David Mendenhall

Deep Roy

Warren Berlinger

An evil circus owner chases a chimp and his friends through Africa. Not necessarily 'Dyn-O-Mite!', but this silly monkey business is decent family fun.

Post-war Germany 1945: Two rival gangs of uprooted boys fight each other in the ruins of Berlin, whose business is the black market out of necessity in order to survive. Their respective leaders are Gerhard and Dietrich. A pretty young circus artist named Corona comes to the destroyed city with a traveling circus. She immediately caught the boys' attention. When the latter notice that the circus director is abusing the girl, the two gangs join forces and plot an act of revenge against the tyrant. But with the hustle and bustle caused by this, Corona falls from the trapeze and is seriously injured. When the circus moves on, the boys organize a doctor for the sick artist who has been left behind. Their collectively concern for the blonde beauty makes them forget their enmity. This welds the troops closer together and sets the course for a common, meaningful future.

Columbus has made a habit of running from what scares him. Tallahassee doesn't have fears. If he did, he'd kick their ever-living ass. In a world overrun by zombies, these two are perfectly evolved survivors. But now, they're about to stare down the most terrifying prospect of all: each other.

Bhargavan is a dangerous criminal who gets anxiety attacks that prevent him from attacking anyone. However, when he meets a psychiatrist, Santharam, his life gets transformed while he treats him.

Alegría is a mood, a state of mind. The themes of the show, whose name means "jubilation" in Spanish, are many. Power and the handing down of power over time, the evolution from ancient monarchies to modern democracies, old age, youth - it is against this backdrop that the characters of Alegría play out their lives. Kings' fools, minstrels, beggars, old aristocrats and children make up its universe, along with the clowns, who alone are able to resist the passing of time and the social transformations that accompany it.

From the Italian 'saltare in banco' – which literally means 'to jump on a bench' – Saltimbanco explores the urban experience in all its myriad forms. Between whirlwind and lull, prowess and poetry, it takes spectators on an allegorical and acrobatic journey into the heart and soul of the modern city.

The Chinese consider the lion a symbol of good luck, so it's a half-dragon, half-lion – a dralion – that is the symbol of the East-meets-West fusion of this performance in which 36 Chinese acrobats join the renowned Canadian troupe. Celebrating the four elements as represented in four colours  – blue (air), green (water), red (fire) and ochre (earth) – Dralion combines ancient Chinese circus traditions with Cirque du Soleil's usual stunning elements: the techno-oriented single ring; the multicoloured lights and costumes; the music that mixes rock, New Age and various world influences (though not Chinese); and the madcap clowns that pull a victim out of the audience.

Icarus is the main character of Varekai, who falls to the ground, breaking his legs as he does. He is suddenly in a strange, new world full of creatures he has never seen before. Parachuted into the shadows of a magical forest, a kaleidoscopic world populated by fantastical creatures, this young man sets off on an adventure both absurd and extraordinary.

A magician in a carnival--who actually can read minds and levitate people and objects--works with a superintelligent chimp named Alex, who can also talk. The magician and the chimp soon become the stars of the carnival, drawing in big crowds. However, the wild-animal trainer, who has been displaced by the team as the carnival's top act, decides to kidnap Alex and sell him to a medical laboratory for experimentation, thereby getting rid of his competition.