A glimpse into the lives of thousands of street cleaners who sweep the streets of  Kuwait

The story of Shinya Kimura, a creator of custom motorcycles which he designs with a unique philosophy of love, life and simplicity.

A short dance film in Pathécolor, also know as stencil colouring. The editing cuts correspond with the dancers' costume changes. More about stencil colouring at http://zauberklang.ch/filmcolors/timeline-entry/1218/.

The warping lens used to photograph 10th Avenue seems to puzzle the filmmakers.

Black & White, Short Film, United States, Silent.

Pop Warner shows 1890s football equipment and explains to his modern 1931 team how the game was played.

“In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he masturbated eight hours a day while murmuring things like, "You're pushing your cunt down on my mouth" or "You're ramming your cock down into my ass." Not only does the architectural intervention presage much of his subsequent work, but all of Acconci's fixations converge in this, the spiritual sphincter of his art. In Seedbed Acconci is the producer and the receiver of the work's pleasure. He is simultaneously public and private, making marks yet leaving little behind, and demonstrating ultra-awareness of his viewer while being in a semi-trance state.” – Jerry Saltz (via: http://www.ubu.com/film/acconci_seedbed.html)

Mandaue Landfill, The Philippines: the 50 families who call this home are the bottom of their society; the lowest of the low. But material wealth is not the only kind of riches, and where there is hope and resourcefulness there is always the chance of a better life.

Year 2009 Northwest of the Peruvian jungle, near the border with Ecuador, a mining company enters the depths of the virgin forest in search for mineral resources, regardless of the damage it can cause. The entry is made with the approval of the government without the consent of the indigenous people living there Awajún. Known for their courage and bravery, the Awajún hold back the invaders; but in the struggle for their land, they are brutally beaten by the ultra-liberal government. Violence begets violence. Through a video workshop aimed at awajún, the director follows the trail of an irreparable injury.