Ako Mitchell

Hugo Harold-Harrison

Eric Meyers

Doireann Ní Chorragáin

Martin Woolley

Washed up space adventurer and sidekick crash land on a planet of dicks.

After he's sent to his room for refusing to eat his vegetables, angry little Timmy prays to God to deliver him from his cruel parents. What unfolds next is an irreverent black comedy.

An American pilot in the war falls asleep in his plane. His dream mixes up with reality.

The story picks up after an unexplained disagreement between two brothers, Goat and Aaron. To work out their differences, they take a hike together. The beauty of nature brings them back together, but the violence in Goat's heart can't be controlled and it pulls him under.

When father decides Richard is old enough to leave his parental home, he sends him out into the world. Only Richard keeps returning home: everytime in a more bizarre way. Somehow he seems attached to the house. When an unfortunate alteration in life takes place, Richard is forced to stand on his own feet.

A short dance film in Pathécolor, also know as stencil colouring. The editing cuts correspond with the dancers' costume changes. More about stencil colouring at http://zauberklang.ch/filmcolors/timeline-entry/1218/.

Diego the bicyclist waits to check into the PGI hotel, where each room's inhabitant seems more bizarre than the last, and the rabbits on the top floor have discovered the secret of voodoo, using electronics and carrots. Can the rare and unpredictable night of the carrots save everyone, or will their connections to the room's electrical sockets restrain them too much? Will Diego find love with an egg that speaks incessantly in German? Will the cellist, who is actually a room full of a gelatinous substance, affected in some way by buttons labeled K, G, and B, have dreams that explain everything? Or will the audience just leave scratching their heads? Not all questions get answered.

The bizarre adventures of the cartoon character Foska, drawn by 22 animators working in collaboration. Each animator worked on his or her own sequence only and did not know what action preceded or followed his or her sequence, except that the first drawing of a sequence is the last drawing from the previous sequence.  Preserved by the Academy Film Archive in 2010.