David Gruber

Carrie Manfrino

Jim Hellemn

Vincent Pieribone

Patricio Bernal

What is the value of ocean biodiversity? Bloody Bay Wall is the top of a five thousand foot underwater cliff. A group of divers - including scientists and photographers - gather at Little Cayman Island in the Caribbean Sea to explore this spectacular underwater feature. Motivated by questions of human biology, coral reef ecosystems, and the stunning imagery of this marine park, their collaborations help illuminate the range of what rich marine life offers to humanity: now, and in the future.

Childhood friends Jacques and Enzo share a passion for the danger of free diving. Jacques, following in the footsteps of his father, who died at sea when Jacques was a boy, harbors a remarkable ability to adjust his heart rate and breathing patterns in the water, with his vital signs more closely resembling those of dolphins than men.

Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.

Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.

A diver is pursuing an olympic medal, but the illness of a loved one arises unexpectedly. His only opportunity is decided on the trampoline.

In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min

Oceanographer Sylvia Earle and a cast of marine scientists tell the story of the incredible work being done to protect our oceans fragile ecosystem.

Captain Nemo is found in suspended animation under the sea and revived by modern-day Navy men in order to battle a fiendish mad scientist.