Stephen Larriva

This is the story of one of the brave Torchlighters who lost his life that fateful day. Jim Elliot spent his youth preparing to share the Gospel with those who'd never heard it. But nothing could have prepared him for the dangers and challenges he would face in the jungles of Ecuador. The remote Auca tribe was suspicious and antagonistic toward even the friendliest gestures from outsiders.

A visual barrage of nature, colors, and scenery combining into a montage that overwhelms the senses, playing with Wesendock Lieder's Richard Wagner piece.

It was the biggest football game of his life and Stewart (Larry the Cucumber) had a chance to win it all. Injured in one bad play, his hopes of playing in the Salad Bowl-and living a life of fame and fortune-are dashed forever. Years later, silly-but-sweet Stewart loves his family, friends and job at the toy train factory, but still wonders "what if" things had been different. When he meets a mysterious train conductor who can turn back time, Stewart gets a chance to have the life he always wanted. Will he find all he's been looking for? And what does this mean for those he loves most? Find out in this story of wonder and a lesson in being content.

Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video."

Lucas needs to get back to New York City with his sister Charlotte. They have vividly memories about their good times together, but he needs to be honest with himself and acknowledge the outcomes of his actions.

A seventeen year old girl who has lived all her life on an island off the coast of Ireland is faced with the choice to remain there or emigrate to America.

Eight-year-old Jesse lives in a twilight world of sadness and silence, squeezed into a tiny caravan with his grief stricken father. They're in limbo, existing more than living. The child intuitively understands that looking forward is harder than looking back, and that's where life happens. But they are stuck, until an accidental friendship with a V8 driving transsexual unlocks the means for Jesse to liberate his father and himself.

Three "meetings." Two men. A rumbling volcano.