Ivan Palúch

Magda Vášáryová

František Velecký

Jiří Krampol

Josef Kubíček

The hero of this popular fairy tale is a young prince who, after the death of his parents, goes out into the world. During his travels he meets a magical talking horse and falls in love with the beautiful princess Slavna. On the advice of his horse, he binds one eye and pretends to be dumb and enters into service as the castle gardener.

Sarah Brown is sent to England after her parents die in a car crash. There, she lives with her aunt Velvet who introduces Sarah to the world of equestrian competition and gives her the last foal of her own prize horse, The Pie. Under the watchful eye of her aunt and horse trainer Capt. Johnson, Sarah develops into a talented rider who might have a shot at the Olympics.

A short film about a seance in Qajar- era of Persia. The Ouija session goes wrong because of the psychic's mistake and triggers a humorous disaster.

A warrior returning home to his country must battle giant bats, three-headed dogs and a vicious dragon to save his wife, and his people, from the machinations of an evil ruler.

Cloe, Yasmin, Jade, Sasha, and Meygan are invited to the new girl in the neighborhood's sleepover. But no sleepover is complete without staying up late telling scary stories.

The evil Eastern magician Ali Booboo feeds an ensorcelled apple to Nightmare, turning her into his slave. Casper and Wendy must pursue Booboo to his castle in the clouds to rescue their friend.

With his tribe's move to follow the migrating bison, Yakari, the little Sioux boy, sets out on his own to follow the trail of Little Thunder, a wild mustang said to be untameable. Travelling far from home and deep into the territory of the terrible cougarskins, Yakari and Little Thunder undertake a great adventure and find their way back home.

Live performance, Bayerische Staatsoper, 2011.  The Tales of Hoffmann (French: LES CONTES D'HOFFMANN) is an opéra fantastique by Jacques Offenbach that combines  three short stories by E.T.A. Hoffmann into a haunting whole: a melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer. One of the questions this opera poses for any director is how to link the 'tales' of Hoffmann's three lost loves together and knit them satisfactorily into the Prologue and Epilogue. In this production, Richard Jones solves the puzzle by turning it into an autobiographical journey which ends with a grand meet-up of all the characters Hoffmann has encountered: for once, Hoffmann is not presented as a rollicking kind of drunken story-spinner, but rather a sad-eyed, sobered-up depressive, who reaches for the bottle only because his disastrous love life has gone wrong yet again.