Masanori Murakawa

Takao Yoshida

Shigeki Sato

Haruo Murata

Yoshinori Takisawa

The Great Sasuke chronicles a-year-in-the-life of an aging Japanese professional wrestler and politician who once enjoyed a great fame. Reflecting on his 20 turbulent years as a wrestler, Sasuke decides to climb back into both arenas -- wrestling and politics -- for a final battle royale.

My father led a coup in 1961. Two years later, I became the president's daughter.

In the small town of Paulsboro, New Jersey the religion is pro-wrestling and it's temple is The Monster Factory. Over the past 30 years, pilgrims of all creeds, colors, shapes and sizes have made their way to this modest, repurposed high school gym, eager to escape the realities of their normal lives to pursue a place within a world of entertainment largely dismissed as fake. Despite what you may believe, one thing is certain - when it comes to the no bullshit, get-it-done training style of owner / head coach Danny 'Cage', you can't fake the blood, sweat, tears, and focus it takes to make dreams come true.

Australian wrestling was once a television obsession where the best in the world would clash. Now travel half way around the world with an Aussie wrestling champion to track down the greats of those glory days where generations cheered heroes, and booed villians. Here are the mad, bad and dangerous-to-know grand-daddies of the original reality television, where every move was Ruff, Tuff, and Real!

A short documentary film about the director's relationship with his deceased grandfather.

The make or break story of a Somali-Australian refugee who went back to where he came from to do battle with ruthless pirates and Islamic militants - and transform his broken homeland into a modern African State.

From falsehood to mystification to manipulation and false impartiality, the whole logic of disinformation and brutality is brought to light. When the king of the media and his politico-journalistic buffoons are sifted by a radical counter-audiovisual power, the discredit of the "elites" sanctioned by the referendum of May 29, 2005 is better understood. With this film, Zalea TV's team had decided to laugh about it and make them laugh, even if at bottom these discoveries were rather disturbing. By staging a series of very simple techniques of "self-defense", this film is an invitation to self-disengage permanently. The use of the TV-B Gone, an instrument whose sole function is to turn off the television, appears here as the ultimate resort to media criticism.