Joe Cobb

Jackie Condon

Johnny Downs

Allen 'Farina' Hoskins

Jannie Hoskins

Habitually mistreated at the deceptively named Happyland Home Orphanage, the Our Gang kids find a loyal and kindhearted friend in the form of a black grownup named Uncle Tom. Alas, Tom's own children -- including real-life siblings Allen "Farina" Hoskins and Jannie "Mango" Hoskins -- are carted off to Happyland by the cold-hearted county officials. Farina, Mango, and the other kids escape the cruel orphanage in the dead of night, while Uncle Tom, preparing for their return, "borrows" food, clothes, and furnishings from various merchants.

A girl-shy professor runs into trouble at a ladies’ seminary.

An American on his honeymoon in Paris, organises the kidnapping of his interfering mother-in-law.

Bumbershoot is a silent comedy about a hapless man desperate to find an umbrella strong enough to make his life whole.

Joe and Eve are engaged, but Joe cannot help contrasting the drabness of her attire with the dressy clothes of their friends. Eve overhears him talking of this and breaks with him. Then, with the help of her friend, Mazie, she metamorphoses into a ravishing beauty. Joe is remorseful, but the situation is made more complex when he suspects Eve of questionable relations with her boss.

The city chap arrives in a flivver and makes love to the daughter of the proprietor. The rival plays a strong hand but is not quite strong enough to regain the girl. Little brother plays his part with tact and gets the regulation quarter for allowing the spooners to be alone. An elopement in moonlight provides a good finish.

The background of this picture represents a scene along the beautiful river Seine in Paris. A gentleman enters, and taking a blackboard from the side of the picture, he draws on it a sketch of a novelist. Then, standing in the centre, he causes the living features of his sketch to appear in the place of his own, which is utterly devoid of whiskers. The change is made so mysteriously that the eye cannot notice it until one sees quite another person in the place of the first. Again another sketch is shown on the board, this one being that of a miser; then an English cockney; a comic character; a French policeman, and last of all, the grinning visage of Mephistopheles. It is almost impossible to give this film a more definite description; suffice it to say that it is something entirely new in motion pictures and is sure to please. (Méliès Catalog)