The documentary tells the story of one day in Smara, a refugee camp in the south of Algeria. A handmade symbolic toke takes us through the lives of six characters and the reality of the situation in Sahara: The past, present and future of a population without land who want that their words will be heard by the world.

A visual barrage of nature, colors, and scenery combining into a montage that overwhelms the senses, playing with Wesendock Lieder's Richard Wagner piece.

German family Schroeder is spending their Christmas holidays on the Thai island, Phuket. Of all the things, deep within the sleazy tourist bars and alleys of Patong, the youngest son Felix falls in love with a gorgeous Thai girl Fai who in return appears to mutually attracted to him.

Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video."

Lucas needs to get back to New York City with his sister Charlotte. They have vividly memories about their good times together, but he needs to be honest with himself and acknowledge the outcomes of his actions.

A seventeen year old girl who has lived all her life on an island off the coast of Ireland is faced with the choice to remain there or emigrate to America.

A mother wants to tell her daughter her opinion via video, but because she is untrained in using the new technology, she returns to the familiar letter form.