Anders W. Berthelsen

Sofia Cukic

Micki Chow

Joen Højerslev

Trine Dyrholm

»Dancers« is centred round a dance school run by the bright and lively Annika and her no-nonsense mother. One day Annika meets Lasse and falls passionately in love. But there is something Lasse hasn't told her, something he has done that is not so easy to forgive. Confronting an unknown darkness in Lasse, and in herself, Annika is forced to recognize the high cost of saying yes to love.

Years after leaving, my uncle returns to Granada. As we walk through the city of his youth, he shares the story of his first love — a story marked by late summer light, old plazas, and a George Michael song that once gave him the courage to speak his heart.  Heal the Pain blends documentary and fiction to trace a quiet, intergenerational conversation about love, memory, and the emotional imprint of place. A tender portrait of how the past lingers — in music, in streets, and in the stories we pass on.

A fledgling ballerina falls in love with a brilliant composer, but the jealous head of the ballet company plots to drive them apart.

A writer of pulpy book series in which he's the hero and his beautiful English roommate is the love interest attempts to finish his new book in time at the publisher's demand.

Paloma is a serious and highly articulate but deeply bored 11-year-old who has decided to kill herself on her 12th birthday. Fascinated by art and philosophy, she questions and documents her life and immediate circle, drawing trenchant and often hilarious observations on the world around her. But as her appointment with death approaches, Paloma finally meets some kindred spirits in her building's grumpy janitor and an enigmatic, elegant neighbor, both of whom inspire Paloma to question her rather pessimistic outlook on life.

Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.

End of High School, Beginning of Summer. A group of friends spend most of their time together, but little do they know that each and everyone of them has set their mind on pursuing one goal, the goal of every teenager : doing it for the first time. And sometimes the line between friendship, love and desire is really thin especially when you’re 15.

1991, Riga Latvia. Lena, a child of divorced parents, escapes from home in the middle of the night when she is fed up with her fathers drinking habits. That's when her journey back home begins.

Yuri leaves Ryo with mysterious words. Ryo goes to Hokkaido knowing that his doppelganger magician is missing. Ryo realizes Yuri was also the magician’s lover and he learns magic. The story that crosses over two identities, illusion and magic.