AbdulHusain AbdulRedha

Hayat Al-Fahad

Mariam Al-Saleh

Khalid Al-Obaid

Tariq Al-Ali

The play deals in a social comic framework, the period of the Iraqi invasion of Kuwait in 1990, and what was experienced by Kuwaitis and Iraqis alike during the aggression period, through the social changes that occurred in both societies in that period.

Twelve skits in six minutes: the first one and the final three are about sex, in between are sketches of blood, death, murder, truck crashes, a tough day on the toilet, a slip on a banana peel, and an omnivorous Elvis. In several vignettes, Plympton draws on the essentially comic image of men wearing jackets and ties in a world gone awry. Women, who don't appear all that often, cheerfully participate in the sex and don't hang around for the violence.

Pepe has left the psychiatric hospital after serving time for stealing to work. Only the solidarity of Antonio, a disabled activist, allows him to build a fragile life on which to project his weak hopes. Nevertheless, his need to fit in a senseless world becomes a desperate chore. The horizon of his long-awaited “normality" proves unreachable. The relationship with Antonio interpellates his view of life, inviting him to recognize himself as an anomaly and invent a new madness in which to live.

Fascinated by the idea of ​​being able to create life through science, a count produces a monster from corpses. Does the creature have a soul?

This be the year 3000. The world has been enveloped within the flames of nuclear warfare, bringing with it a new dark age. In these times, technology can be a rare blessing, or curse, depending on its discovery and / or use. What is left of civilization, of humanity, has been reduced to numerous city states, each fighting to survive the wars between them , as well as from within. This tale takes place after a vile war between two Houses both like in dignity, in what is left of fair Verona. The House of Capulet has claimed victory and believes to have extinguished all within The House of Montague, yet one still lives. This be not the story of star-crossed lovers, but of Romeo, last of the Montague. A cyborg who seeks love, and revenge...

A recorded play performed live and also screened at the 2024 New York City Fine Arts Film Festival. Creative energies will unite as a diverse group of performance artists comes together in a powerful collective act, exploring our cognitive dissonance towards the toxic environment and destructive behaviors we engage in as a society—behaviors that, in the end, are slowly killing us and our planet. The performance seeks to reveal, acknowledge, and initiate a collective healing.

A presumably lost film starring Mabel Normand and Roscoe Arbuckle.

Set in a small room, an adolescent woman experiences synesthesia. While she stares at half filled glasses on the table sound replaces her gaze. Harmonic tones exude and induce a trance like state over the woman. Her meditative harmonies are disrupted when an ominous character arrives with the intent to ingest the song. After consuming the beauty the dark character leaves. Left alone, the adolescent woman employs thaumaturgy to lure her song back to life again.

This is the story of a man, who on his way home, finds a pair of shoes on a trash can. Once he tries them on, he is no longer the master of his destiny.