"Le Défilé" is a short film of Regine Chopinot & Jean-Paul Gaultier's collaborations, from a retrospective exhibit by the same name.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on.  Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope

2012 French documentary where the interviewer gets 6 seemingly random women to empty their handbags and then asks probing questions to get to their "soul".  Simone 33, a model.  Ilhem 36, a sports coach. Caroline 33, a curator.  Anne-Sophie 29, a press attache. Catherine 43,  a teacher.  Valentina 23, a student.  French with English sub-titles.

Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.

Photographer and make-up artist François Nars reveals his visually stunning inner world in this feature-length documentary by filmmaker Lisa Immordino Vreeland. Mr. Nars takes us on a tour of the fashions, designers and models of '70s Paris, the underground of '90s New York, and the timeless world of cinema, filled with actors, actresses, and directors who have shaped his visual aesthetics.

Following stylish IT GIRLS filmed during New York Fashion Week.

In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min