Alastair Sim

Jack Warner

Valerie White

Jack Lambert

Harry Fowler

A gang of street boys foil a master crook who sends commands for robberies by cunningly altering a comic strip's wording each week, unknown to writer and printer. The first of the Ealing comedies.

Based on the true life experiences of poet Jimmy Santiago Baca, the film focuses on half-brothers Paco and Cruz, and their bi-racial cousin Miklo. It opens in 1972, as the three are members of an East L.A. gang known as the "Vatos Locos", and the story focuses on how a violent crime and the influence of narcotics alter their lives. Miklo is incarcerated and sent to San Quentin, where he makes a "home" for himself. Cruz becomes an exceptional artist, but a heroin addiction overcomes him with tragic results. Paco becomes a cop and an enemy to his "carnal", Miklo.

Emily arrives home, hoping to visit her parents, only to discover that they are leaving on a trip of their own. As she stays at their house for the holidays, their HOA is determined to get Emily to participate in the neighborhood’s many Christmas festivities.

An extremely patient man shares a sleeping car on a overnight express train with a complete hypochondriac. Anxious for his berth mate to reveal any habits which might disturb his delicate sleep, the neurotic man subjects the other to an absurd interrogation.

Private eye Billy Cooper hopes to conclude his assignment by the end of the night, but he'll have to deal with unexpected consequences.

A tough-on-crime street cop must protect the only surviving witness to a strange murderous cult with far reaching plans.

Three brothers get the surprise of their lives when they are forced to work together to care for a baby over the holidays. As they slowly get the hang of things, they find themselves on unexpected journeys of self-discovery and begin to rebuild their relationships as brothers, as well as the damaged romantic and professional relationships in their respective lives…all while rediscovering their love of Christmas.

Filmed in Miami, Hernández's special features his comedic take on his first-generation American upbringing before a local audience.

Fellaman, an aspiring superhero, comes into possession of 'THE PINEAPPLE', a highly religious figure, regarded by many many as the messiah.